Why do millions of people around the world tune in every week (many are even willing to pay for it) to watch a convoluted, (half-baked?), confusing serialized television show about plane crash victims stranded on a mysterious island?
The story.
Questions. Unexpected twists. Attention to detail. Artistic nuance. Mythologies. Love. Danger. The unknown. Intentional lack of resolution. Good and evil. The Supernatural. It draws people in and it hold their attention. It evokes a response and inspires creativity. Communities are built around it.
Contrast that with most presentations of the gospel “story.” A neatly packaged presentation that is clear, concise, and full of answers. A “subjective” third-hand account where the allegorical dots are connected by lines of propositional truth. It does little to intrigue and works to leave nothing unexplained. Our story sounds tired, contrived, and commercial.
We have a lot to learn about being storytellers.
Unless writing a lot makes one a "writer," Ernest is a former missionary. After more than six years in Western Europe, he moved to Portland, where he drinks too much coffee and over-analyzes human behavior. For more about Ernest, visit the About page where you can read a long-time reader's interview with him. Or, if you don't mind waiting a very, very long time, send him an email.
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